Today, aside from my usual 10-6 writing job, I was asked to step into the studio to pose as an ‘arm’ model for our upcoming holiday issue. I agreed because, well why not - plus, I’ve always loved going on photoshoots. And although I’ve never modeled before (not even a hand or a foot), I do sort of understand what makes a good model:
- A good model is on-time
- A good model takes direction
- A good model has a positive attitude
Determined to be a good model, I called my art director, Darryl, this morning to confirm my call time, which he was very relaxed about (’Case, just show up around 5′). I of course was slightly excited and spent the rest of the day worrying about when I was going to be able to squeeze in a manicure to tame my super long, ‘witch-length’ talons.
I started to worry about my nails and then called, emailed and texted all about how I should have them shaped, what color they should be painted, etc. I got no response at all (later I learned that his phone died) and just decided to keep it simple, go with a sheer, pale pink shade. Of course I ended up leaving the office later than I wanted to and ran into the nail place on 28th Street and Lexington - where I got (drum roll) a fairly decent 20 minute manicure! Unfortunately I was about 15 minutes late, thus starting out my highly anticipated career as a supermodel in bad form.
Anyway, I walked into the studio and was greeted by 4 artistic, pale but adorable boys. Darryl told me to put my arms above my head so that the blood would leave them and make them look better. I asked Darryl which of my arms he wanted to use and with fairly little hesitation he said the left one. Now I’ve never really compared my left arm to my right one, but perhaps the freckle placement is a bit sexier on the left now that I really look at it.
My ‘inspiration’ for the shoot came was a tear from ELLE featuring an arm stacked with cuffs, bent in the shape of a Z. It looked fairly simple, but as we began shooting and my arm was awkwardly twisted on a large sheet of white, I started to wonder if I was going to be able to deliver a decent shot.
I wore a large gold spiky cuff by SURevolution, a lucite one from Alexis Bittar, an elaborately beaded one by Miriam Haskell, and ended up holding/reaching for a diamond detailed wooden cuff by Jessica Kagan Cushman. The photographer and Darryl kept teling me to relax my hand, bend my fingers, move things slightly to the left, etc. I think we ended up getting the shot, and Darryl said we could get a big blow up of my crooked little arm for the office. The whole thing only took about 30-45 minutes.
It was a nice break from the typical day - its always fun to be back in t
he studio. If any of you need an arm model please know that I am in very high demand, and charge a ridiculous fee of 1 venti regular coffee per shot.
The cuffs and bracelets shown here all available at VIVRE, except for the CHANEL one.